Remember old Fleur Delacour? She’s got a job at Gringotts to eemprove ‘er Eeenglish. And Bill’s been giving her a lot of private lessons.

But my Bill and Fleur feels, my Bill and Fleur feels. The eldest boy, the best boy, with his accolades and his earring and his dashing escapades, breaking curses in pyramids, the boy who comes home when he’s called. The girl so beautiful she is inhuman with it, vain and selfish until you see quite how selfless she is.

They are both of them monsters: the werewolf, scarred fighting his parents’ war returned, and the veela, struck beautiful by her grandmother’s life, something ghastly hidden in her bones. They both carry an otherness they did not ask for. They are both judged for their perfection (head boy and champion of Beauxbatons, brave and beautiful, honorable and fair), judged for the way they seek after it (his long hair and his earring, her prettiness, her vanity), and judged for its lack. He is scarred and she loves too hard, she is not a gentle soul. 

During the second task, they took each of the competitors’ most precious people: Harry’s best friend, Cedric and Krum’s sweethearts, and Fleur’s little sister. I like to think she worries about it, how much her own life orbits around this little life almost a decade smaller than her. I like to think she worries about it, worries about Gabrielle but also worries about how much she worries, worries about what people will think. I like to think that at fifteen, when a tiny Gabrielle climbed into Fleur’s lap, Fleur decided she didn’t care. She gathered her sister close and worried all she wanted about everything except what other people thought. 

I like to think she worries about Bill, when she first starts feeling her orbit shift in his favor. Gabrielle will always be tucked under her wing, but Bill’s hand is in hers, and for the first time in a life of flights and flitting and others’ eyes on the hem of her robe, that hand feels like it should be there. And Fleur worries, because she can feel her orbit shifting, toward this handsome ex-Head Boy with Egyptian sand still between his toes. 

I like to think she worries about it, about him, up until the first time she sees Bill with his brothers, amid a gaggle of Weasleys, until she sees him with his one and only baby sister. 

Ginny is small and wiry, sharp as a sharpened rosebush branch. Fleur knows something about beautiful, dangerous things. Ginny hates her at first, and Fleur smiles, flits by, moves on. She decided a long time ago not to care about what other people thought. The important thing here isn’t the way Ginny rolls her eyes at Fleur, or the way Ginny will one day learn that they both have hard darknesses under their pretty skins; Fleur likes the way that Bill teases his little sister, falls into the rhythm of his family, wrapped up in a warm possession of these people he loves. She remembers that they are both here because they have wrapped themselves up in a war, to save lives, to save others, to save their own. She stops worrying about Bill. He will understand about Gabrielle. 

The beauty and the beast; the boy and the land-bound siren; the least interesting quality in either of them is the shape of their skin. She is vain, selfish, petty, pretty, and she falls whole-heartedly into a war that isn’t hers.

Fleur is horrified when Molly thinks she will leave Bill for his scars, she is horrified that anyone would think her love skin deep, because Fleur Delacour, above all, knows what it is to be skin deep. They have been casting her as that all her life, this perfect beautiful child, the talented student, the lovely young lady. People swoon around her in the hallways when they aren’t rolling their eyes at her vanity.

This was her skin, not her vanity. This was her birthright, as much as Harry’s green eyes or Bill’s red hair and the war on his heels, This was so far from her self.

These were her selves: Fleur weeping furiously on the shores of the lake, and kissing Harry and Ron when they bring Gabrielle back to the air; Fleur at Shell Cottage, gracious, exhausted, in love in a war zone; Fleur shouting a grieving Molly Weasley down in a Hogwarts tower, declaring how foolish it would be to stop loving a man based on his scars. She is beautiful enough for both of them, after all. They are brave enough for each other. They have both always had the monster in their bones, perfection hounding their heels, little siblings who are all the reason they need to fight to make the world a brighter place.

Few look past Bill’s scars, past Fleur’s luminous beauty, but they look at each other, hold hands, cling tight. He sees her sharp, sharp smile while he grins with his wolf’s teeth, bleeds from his big heart. Between them, they make the world a brighter place, a better one, and don’t care who notices, who sees, who understands. They do, and that’s enough. 

(Source: ifallelseperished)



Imagine Hogwarts after the Battle, after the War, sure –
But imagine Hogwarts’ students, after their year with the Carrows and Snape.
Imagine a tiny little first-year whose porcupine pincushions still have quills, but to whom Fiendfyre comes easily. The second-year who tried to go back, to fight; whose bravado got Professor Sinistra killed, as she pushed him out of the way of a Killing Curse. The third-year who perfectly brewed poisons, hands shaking, wishing for the courage to spike the Carrows’ cups. The fourth-year who throws away all of their teacups, their palmistry guidebooks, because what use is Divination if it didn’t see this coming? The fifth-year who can barely remember what O.W.L.S. are, let alone that she was supposed to take them. The sixth-year who can’t manage Lumos to save their life, but whose proficiency with the Cruciatus Curse rivals Bellatrix’s.
Imagine the seventh-year who laughs until he cries, thinking about the first-years who will fall asleep in History of Magic while their story is told.
Imagine the Muggleborn first-years left alive, if there are any: imagine what they think of the magical world, when their introduction to it was Death Eaters and being tortured – by their classmates –for having been born.
Imagine the students who went home to their parents (or guardians, or wards, or orphanages) and showed them what they’d learned: Dark curses, hexes, Unforgiveables; that Muggles are filth, animals, lesser. Who, yes, still can’t transfigure a match into a needle – but Mum, there’s a hex that can make you feel as though you’re being stabbed with thousands. (Don’t ask them how they know.)
Imagine the students who will never be able to see Hogwarts as home.
Imagine the students Hogwarts has left, when it starts up again – the lack of Muggleborns, blood-traitors, half-bloods, dead and gone – the lack of purebloods; the Ministry would have chucked everyone of age (and possibly just below) in Azkaban for Unforgiveables, wouldn’t they?
Imagine how few students there are left to teach; imagine how few teachers are left to teach them.
Imagine the students who can’t walk past a particular classroom, who can’t walk through a hallway, who can’t walk into the Great Hall without having a panic attack or breaking down. Imagine the school-wide discovery that the carriages aren’t horseless after all; that everyone, from the firsties to the teachers, can see Thestrals.
Imagine the memorials, the heaps of flowers and mementoes – in every other corner, hallway, classroom; every other step you take on the grounds.
Imagine the ghosts.
Imagine the students destroying Snape’s portrait, using the curses, hexes, even Fiendfyre they’ve been taught how to wield – it has to be restored nearly every week; Snape stays with Phineas Nigellus semi-permanently. (None of the other portraits will welcome him. His reasons do not excuse his conduct.)
Imagine the students unable to trust each other – everyone informed on everyone, your best friend might turn you in.
Imagine the guilt that everyone carries (it should have been me, it’s my fault s/he’s dead, I told on them, it’s all my fault), the students incapable of meeting each other’s eyes because it’s my fault your best friend, your sibling, your Housemate, your boy/girlfriend is dead.
Imagine the memorials piled high with the wands of the dead. Imagine the memorials piled high with the self-snapped wands of the living.
Imagine the students who are never able to produce a Patronus.
Imagine Boggarts being removed from the curriculum because Riddikulus is near impossible to grasp, even for the sixth- and seventh-years. Because their friends and families dead will never, ever be funny.
Imagine the students for whom magic feels tainted.
Imagine the students who leave the wixen world – hell, the students who leave Britain entirely, because there’s nothing left for them there.
Imagine the students who never use magic again.
(Image source.)
(From the mind of the wonderful lavenderpatil, a keen look at how students might be after war.)



My cat sits like this when he gets excited




(Source: meanplastic)

HARRY POTTER HISTORY MEME → three young versions of characters from the books [2/3] » Eva Green as Bellatrix Lestrange

Bellatrix Lestrange (née Black) was a pure-blood witch, the daughter of Cygnus III and Druella Black and elder sister of Andromeda Tonks and Narcissa Malfoy. She started her education at Hogwarts in 1962 and was Sorted into Slytherin house. After graduating from Hogwarts, she became a Death Eater, fanatically loyal to Lord Voldemort. She was one of the few known females in the group, as well as among the most dangerous and sadistic of Voldemort’s followers. During the final battle, she was the last Death Eater standing, apart from Voldemort, but was eventually killed in a duel by Molly Weasley.



no why

a marshmallow is squished beneath the weight of knowledge

(Source: effington)

Assassin's Creed Black Flag: Kingston + Sunset

(Source: r-aymondkenney)

Quotes from the Harry Potter Books [28/50]


This was one of the funniest jokes in film history

(Source: georgia-costanza)


Harry Potter AU in which Fred and George are in different houses and they steal and wear each others ties whilst doing stupid things in hope of the others house losing points